The Martian Weeklies: Flash Gordon's Second Serial

Page 1: The Flash Gordon serial of 1938 diverged greatly from the Sunday pages

Azura, Witch Queen of Mongo, was Flash Gordon's first major femme fatale after Princess Aura in the comic strip.
She starred in her own episode, but never appeared again during Raymond's tenure.
Azura was a supremely-confident sexily-drawn monarch, with an unfortunate cruel streak. Former beauty queen Beatrice Roberts, who had been Miss New York in 1923, co-starred as Azura, Queen of Magic in the movies. She did mostly bit parts in Hollywood until 1949.
Azura, Queen of Magic, in the Universal serial of 1938 was mostly arrogant, mean, and often covered by a fur-lined cape. The Hayes Office was very powerful then, and the Flash Gordon serials were intended to be adolescent entertainment, so there was almost no sensuality allowed, and only occasional initiative was shown on the part of woman characters.

The following two sequences (below) from Raymond's original Witch Queen of Mongo and Flash Gordon's Trip to Mars are somewhat parallel. Both queens used chemistry to further their nefarious plans, and exercised additional powers.

It is somewhat challenging to find direct comparisons between the Sunday strip and Flash Gordon's Trip to Mars. A couple of plot lines from Raymond's Witch Queen of Mongo had already been borrowed in the first serial. The Earthlings kept encountering grotesque alien montrosities in both media, though. Sparkling hardware, ingenious inventions, and various beaming rays were as important as characters and actors in the second film.

The bleak Martian forest resembled the scene of a brief episode by Alex Raymond -- featuring a tribe of Brown Dwarves, preceding his epic City of the Hawkmen adventure, where the classic design of Flash Gordon was fully established.
A near-fatal Martian forest fire recalled a similar conflagation when the Earth People fled to the jungles of Mongo in 1936.
Flash Gordon is the property of it's copyright holders.  All images are used for scholastic purposes ONLY in the context of this article. 
Text and graphic design copyright by Michael R. Evans 2009
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